Revelation 14:2

Authorized King James Version

PDF

And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and I heard the voice of harpers harping with their harps:

Original Language Analysis

καὶ And G2532
καὶ And
Strong's: G2532
Word #: 1 of 24
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἤκουσα I heard G191
ἤκουσα I heard
Strong's: G191
Word #: 2 of 24
to hear (in various senses)
φωνὴν a voice G5456
φωνὴν a voice
Strong's: G5456
Word #: 3 of 24
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
ἐκ from G1537
ἐκ from
Strong's: G1537
Word #: 4 of 24
a primary preposition denoting origin (the point whence action or motion proceeds), from, out (of place, time, or cause literal or figurative; direct
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 5 of 24
the (sometimes to be supplied, at others omitted, in english idiom)
οὐρανοῦ heaven G3772
οὐρανοῦ heaven
Strong's: G3772
Word #: 6 of 24
the sky; by extension, heaven (as the abode of god); by implication, happiness, power, eternity; specially, the gospel (christianity)
ὡς as G5613
ὡς as
Strong's: G5613
Word #: 7 of 24
which how, i.e., in that manner (very variously used, as follows)
φωνὴν a voice G5456
φωνὴν a voice
Strong's: G5456
Word #: 8 of 24
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
ὑδάτων waters G5204
ὑδάτων waters
Strong's: G5204
Word #: 9 of 24
water (as if rainy) literally or figuratively
πολλῶν of many G4183
πολλῶν of many
Strong's: G4183
Word #: 10 of 24
(singular) much (in any respect) or (plural) many; neuter (singular) as adverbial, largely; neuter (plural) as adverb or noun often, mostly, largely
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 11 of 24
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ὡς as G5613
ὡς as
Strong's: G5613
Word #: 12 of 24
which how, i.e., in that manner (very variously used, as follows)
φωνὴν a voice G5456
φωνὴν a voice
Strong's: G5456
Word #: 13 of 24
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
βροντῆς thunder G1027
βροντῆς thunder
Strong's: G1027
Word #: 14 of 24
thunder
μεγάλης of a great G3173
μεγάλης of a great
Strong's: G3173
Word #: 15 of 24
big (literally or figuratively, in a very wide application)
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 16 of 24
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
φωνὴν a voice G5456
φωνὴν a voice
Strong's: G5456
Word #: 17 of 24
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
ἤκουσα I heard G191
ἤκουσα I heard
Strong's: G191
Word #: 18 of 24
to hear (in various senses)
κιθαρῳδῶν of harpers G2790
κιθαρῳδῶν of harpers
Strong's: G2790
Word #: 19 of 24
a lyre-singer(-player), i.e., harpist
κιθαριζόντων harping G2789
κιθαριζόντων harping
Strong's: G2789
Word #: 20 of 24
to play on a lyre
ἐν with G1722
ἐν with
Strong's: G1722
Word #: 21 of 24
"in," at, (up-)on, by, etc
ταῖς G3588
ταῖς
Strong's: G3588
Word #: 22 of 24
the (sometimes to be supplied, at others omitted, in english idiom)
κιθάραις harps G2788
κιθάραις harps
Strong's: G2788
Word #: 23 of 24
a lyre
αὐτῶν G846
αὐτῶν
Strong's: G846
Word #: 24 of 24
the reflexive pronoun self, used (alone or in the comparative g1438) of the third person, and (with the proper personal pronoun) of the other persons

Cross References

Revelation 5:8And when he had taken the book, the four beasts and four and twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.Revelation 1:15And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters.Revelation 11:15And the seventh angel sounded; and there were great voices in heaven, saying, The kingdoms of this world are become the kingdoms of our Lord, and of his Christ; and he shall reign for ever and ever.Revelation 15:2And I saw as it were a sea of glass mingled with fire: and them that had gotten the victory over the beast, and over his image, and over his mark, and over the number of his name, stand on the sea of glass, having the harps of God.Ezekiel 43:2And, behold, the glory of the God of Israel came from the way of the east: and his voice was like a noise of many waters: and the earth shined with his glory.Psalms 33:2Praise the LORD with harp: sing unto him with the psaltery and an instrument of ten strings.2 Samuel 6:5And David and all the house of Israel played before the LORD on all manner of instruments made of fir wood, even on harps, and on psalteries, and on timbrels, and on cornets, and on cymbals.Revelation 6:1And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.Revelation 11:12And they heard a great voice from heaven saying unto them, Come up hither. And they ascended up to heaven in a cloud; and their enemies beheld them.Revelation 18:22And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;

Analysis & Commentary

And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and I heard the voice of harpers harping with their harps:... This verse from Revelation's vision of lamb and 144,000 - redeemed firstfruits, three angels' messages, harvest judgment employs apocalyptic imagery rich with Old Testament allusions and symbolic meaning. The Greek text uses vivid apocalyptic language characteristic of Jewish prophetic literature, drawing heavily from Daniel, Ezekiel, Isaiah, and Zechariah.

The symbolism must be interpreted within its first-century context while recognizing timeless spiritual realities. The imagery would resonate powerfully with persecuted believers facing Roman imperial cult worship, providing hope that despite present suffering, Christ reigns sovereign and will consummate His kingdom. The apocalyptic genre uses symbolic numbers (seven, twelve, 144,000), colors, beasts, and cosmic imagery to convey theological truth rather than photographic descriptions.

Christologically, Revelation consistently exalts Jesus as the victorious Lamb, the faithful witness, the King of kings and Lord of lords. Every vision ultimately points to Christ's supremacy, His finished redemptive work, and His certain return to judge the living and dead and establish the new creation.

Historical Context

John received this revelation circa AD 95 during Domitian's persecution, exiled on Patmos for his testimony. The seven churches of Asia Minor faced increasing pressure to participate in emperor worship and pagan religious practices. Refusal meant economic hardship, social ostracism, and potential martyrdom. Understanding this context illuminates Revelation's encouragement to faithful endurance.

The apocalyptic genre was familiar to first-century Jewish and Christian readers. Rather than newspaper-style predictions, apocalyptic literature uses symbolic imagery to reveal spiritual realities behind earthly events, encourage the faithful, warn the unfaithful, and assert God's ultimate sovereignty over history. Parallels with Daniel, Ezekiel, and intertestamental apocalyptic writings would help original readers decode the symbols.

Rome's imperial cult demanded worship of Caesar as divine, placing Christians in impossible situations—compromise their faith or face persecution. Revelation identifies Rome as "Babylon" and assures believers that despite appearances, the Lamb conquered through His death and resurrection, and all earthly kingdoms will submit to His reign.

Questions for Reflection

Related Resources

Explore related topics, people, and study resources to deepen your understanding of this passage.

Topics