Revelation 15:2

Authorized King James Version

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And I saw as it were a sea of glass mingled with fire: and them that had gotten the victory over the beast, and over his image, and over his mark, and over the number of his name, stand on the sea of glass, having the harps of God.

Original Language Analysis

καὶ And G2532
καὶ And
Strong's: G2532
Word #: 1 of 39
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
εἶδον I saw G1492
εἶδον I saw
Strong's: G1492
Word #: 2 of 39
used only in certain past tenses, the others being borrowed from the equivalent g3700 and g3708; properly, to see (literally or figuratively); by impl
ὡς as it were G5613
ὡς as it were
Strong's: G5613
Word #: 3 of 39
which how, i.e., in that manner (very variously used, as follows)
θάλασσαν a sea G2281
θάλασσαν a sea
Strong's: G2281
Word #: 4 of 39
the sea (genitive case or specially)
ὑαλίνην of glass G5193
ὑαλίνην of glass
Strong's: G5193
Word #: 5 of 39
glassy, i.e., transparent
μεμιγμένην mingled G3396
μεμιγμένην mingled
Strong's: G3396
Word #: 6 of 39
to mix
πυρί with fire G4442
πυρί with fire
Strong's: G4442
Word #: 7 of 39
"fire" (literally or figuratively, specially, lightning)
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 8 of 39
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
τοὺς G3588
τοὺς
Strong's: G3588
Word #: 9 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
νικῶντας them that had gotten the victory G3528
νικῶντας them that had gotten the victory
Strong's: G3528
Word #: 10 of 39
to subdue (literally or figuratively)
ἐκ and over G1537
ἐκ and over
Strong's: G1537
Word #: 11 of 39
a primary preposition denoting origin (the point whence action or motion proceeds), from, out (of place, time, or cause literal or figurative; direct
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 12 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
θηρίου the beast G2342
θηρίου the beast
Strong's: G2342
Word #: 13 of 39
a dangerous animal
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 14 of 39
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἐκ and over G1537
ἐκ and over
Strong's: G1537
Word #: 15 of 39
a primary preposition denoting origin (the point whence action or motion proceeds), from, out (of place, time, or cause literal or figurative; direct
τῆς G3588
τῆς
Strong's: G3588
Word #: 16 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
εἰκόνος image G1504
εἰκόνος image
Strong's: G1504
Word #: 17 of 39
a likeness, i.e., (literally) statue, profile, or (figuratively) representation, resemblance
αὐτοῦ his G846
αὐτοῦ his
Strong's: G846
Word #: 18 of 39
the reflexive pronoun self, used (alone or in the comparative g1438) of the third person, and (with the proper personal pronoun) of the other persons
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 19 of 39
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἐκ and over G1537
ἐκ and over
Strong's: G1537
Word #: 20 of 39
a primary preposition denoting origin (the point whence action or motion proceeds), from, out (of place, time, or cause literal or figurative; direct
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 21 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
χαράγματος mark G5480
χαράγματος mark
Strong's: G5480
Word #: 22 of 39
a scratch or etching, i.e., stamp (as a badge of servitude), or scupltured figure (statue)
αὐτοῦ his G846
αὐτοῦ his
Strong's: G846
Word #: 23 of 39
the reflexive pronoun self, used (alone or in the comparative g1438) of the third person, and (with the proper personal pronoun) of the other persons
ἐκ and over G1537
ἐκ and over
Strong's: G1537
Word #: 24 of 39
a primary preposition denoting origin (the point whence action or motion proceeds), from, out (of place, time, or cause literal or figurative; direct
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 25 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
ἀριθμοῦ the number G706
ἀριθμοῦ the number
Strong's: G706
Word #: 26 of 39
a number (as reckoned up)
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 27 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
ὀνόματος name G3686
ὀνόματος name
Strong's: G3686
Word #: 28 of 39
a "name" (literally or figuratively) (authority, character)
αὐτοῦ his G846
αὐτοῦ his
Strong's: G846
Word #: 29 of 39
the reflexive pronoun self, used (alone or in the comparative g1438) of the third person, and (with the proper personal pronoun) of the other persons
ἑστῶτας stand G2476
ἑστῶτας stand
Strong's: G2476
Word #: 30 of 39
to stand (transitively or intransitively), used in various applications (literally or figuratively)
ἐπὶ on G1909
ἐπὶ on
Strong's: G1909
Word #: 31 of 39
properly, meaning superimposition (of time, place, order, etc.), as a relation of distribution (with the genitive case), i.e., over, upon, etc.; of re
τὴν G3588
τὴν
Strong's: G3588
Word #: 32 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
θάλασσαν a sea G2281
θάλασσαν a sea
Strong's: G2281
Word #: 33 of 39
the sea (genitive case or specially)
τὴν G3588
τὴν
Strong's: G3588
Word #: 34 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
ὑαλίνην of glass G5193
ὑαλίνην of glass
Strong's: G5193
Word #: 35 of 39
glassy, i.e., transparent
ἔχοντας having G2192
ἔχοντας having
Strong's: G2192
Word #: 36 of 39
to hold (used in very various applications, literally or figuratively, direct or remote; such as possession; ability, contiuity, relation, or conditio
κιθάρας the harps G2788
κιθάρας the harps
Strong's: G2788
Word #: 37 of 39
a lyre
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 38 of 39
the (sometimes to be supplied, at others omitted, in english idiom)
θεοῦ of God G2316
θεοῦ of God
Strong's: G2316
Word #: 39 of 39
a deity, especially (with g3588) the supreme divinity; figuratively, a magistrate; exceedingly (by hebraism)

Analysis & Commentary

And I saw as it were a sea of glass mingled with fire: and them that had gotten the victory over the beast, and over his image, and over his mark, and over the number of his name, stand on the sea of ... This verse from Revelation's vision of seven angels with seven plagues - completion of god's wrath, moses and lamb's song employs apocalyptic imagery rich with Old Testament allusions and symbolic meaning. The Greek text uses vivid apocalyptic language characteristic of Jewish prophetic literature, drawing heavily from Daniel, Ezekiel, Isaiah, and Zechariah.

The symbolism must be interpreted within its first-century context while recognizing timeless spiritual realities. The imagery would resonate powerfully with persecuted believers facing Roman imperial cult worship, providing hope that despite present suffering, Christ reigns sovereign and will consummate His kingdom. The apocalyptic genre uses symbolic numbers (seven, twelve, 144,000), colors, beasts, and cosmic imagery to convey theological truth rather than photographic descriptions.

Christologically, Revelation consistently exalts Jesus as the victorious Lamb, the faithful witness, the King of kings and Lord of lords. Every vision ultimately points to Christ's supremacy, His finished redemptive work, and His certain return to judge the living and dead and establish the new creation.

Historical Context

John received this revelation circa AD 95 during Domitian's persecution, exiled on Patmos for his testimony. The seven churches of Asia Minor faced increasing pressure to participate in emperor worship and pagan religious practices. Refusal meant economic hardship, social ostracism, and potential martyrdom. Understanding this context illuminates Revelation's encouragement to faithful endurance.

The apocalyptic genre was familiar to first-century Jewish and Christian readers. Rather than newspaper-style predictions, apocalyptic literature uses symbolic imagery to reveal spiritual realities behind earthly events, encourage the faithful, warn the unfaithful, and assert God's ultimate sovereignty over history. Parallels with Daniel, Ezekiel, and intertestamental apocalyptic writings would help original readers decode the symbols.

Rome's imperial cult demanded worship of Caesar as divine, placing Christians in impossible situations—compromise their faith or face persecution. Revelation identifies Rome as "Babylon" and assures believers that despite appearances, the Lamb conquered through His death and resurrection, and all earthly kingdoms will submit to His reign.

Questions for Reflection