Revelation 18:22

Authorized King James Version

And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;

Word-by-Word Analysis
#1
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#2
φωνὴ
the sound
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
#3
κιθαρῳδῶν
of harpers
a lyre-singer(-player), i.e., harpist
#4
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#5
μουσικῶν
musicians
"musical", i.e., (as noun) a minstrel
#6
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#7
αὐλητῶν
of pipers
a flute-player
#8
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#9
σαλπιστῶν
trumpeters
a trumpeter
#10
οὐ
the absolute negative (compare g3361) adverb; no or not
#11
μὴ
(adverb) not, (conjunction) lest; also (as an interrogative implying a negative answer (whereas g3756 expects an affirmative one)) whether
#12
ἀκουσθῇ
shall be heard
to hear (in various senses)
#13
ἐν
in
"in," at, (up-)on, by, etc
#14
σοὶ
thee
to thee
#15
ἔτι
any more
"yet," still (of time or degree)
#16
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#17
πάσης
of whatsoever
all, any, every, the whole
#18
τεχνίτης
craftsman
an artisan; figuratively, a founder (creator)
#19
πάσης
of whatsoever
all, any, every, the whole
#20
τέχνης
craft
art (as productive), i.e., (specially), a trade, or (generally) skill
#21
οὐ
the absolute negative (compare g3361) adverb; no or not
#22
μὴ
(adverb) not, (conjunction) lest; also (as an interrogative implying a negative answer (whereas g3756 expects an affirmative one)) whether
#23
εὑρεθῇ
he be shall be found
to find (literally or figuratively)
#24
ἐν
in
"in," at, (up-)on, by, etc
#25
σοὶ
thee
to thee
#26
ἔτι
any more
"yet," still (of time or degree)
#27
καὶ
And
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
#28
φωνὴ
the sound
a tone (articulate, bestial or artificial); by implication, an address (for any purpose), saying or language
#29
μύλου
of a millstone
a "mill", i.e., (by implication), a grinder (millstone)
#30
οὐ
the absolute negative (compare g3361) adverb; no or not
#31
μὴ
(adverb) not, (conjunction) lest; also (as an interrogative implying a negative answer (whereas g3756 expects an affirmative one)) whether
#32
ἀκουσθῇ
shall be heard
to hear (in various senses)
#33
ἐν
in
"in," at, (up-)on, by, etc
#34
σοὶ
thee
to thee
#35
ἔτι
any more
"yet," still (of time or degree)

Analysis

This verse develops the kingdom of God theme central to Revelation. The concept of divine revelation reflects the ultimate establishment of divine rule over creation. The literary structure and word choice here contribute to apocalyptic literature revealing God's ultimate victory, advancing the author's theological argument. The original language emphasizes careful word choice that would have carried specific theological weight for the original audience, providing deeper understanding of the author's theological intention.

Historical Context

This passage must be understood within imperial persecution under Domitian's demand for emperor worship. The author writes to address persecuted Christians in Asia Minor facing pressure to compromise, making the emphasis on kingdom of God particularly relevant. Historical documents from this period show cultural practices and social structures that would have been familiar to the original readers, illuminating the verse's original impact.

Questions for Reflection