Psalms 68:4

Authorized King James Version

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Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him.

Original Language Analysis

שִׁ֤ירוּ׀ Sing H7891
שִׁ֤ירוּ׀ Sing
Strong's: H7891
Word #: 1 of 11
to sing
לֵֽאלֹהִים֮ unto God H430
לֵֽאלֹהִים֮ unto God
Strong's: H430
Word #: 2 of 11
gods in the ordinary sense; but specifically used (in the plural thus, especially with the article) of the supreme god; occasionally applied by way of
זַמְּר֪וּ sing praises H2167
זַמְּר֪וּ sing praises
Strong's: H2167
Word #: 3 of 11
properly, to touch the strings or parts of a musical instrument, i.e., play upon it; to make music, accompanied by the voice; hence to celebrate in so
שְׁמ֗וֹ by his name H8034
שְׁמ֗וֹ by his name
Strong's: H8034
Word #: 4 of 11
an appellation, as a mark or memorial of individuality; by implication honor, authority, character
סֹ֡לּוּ extol H5549
סֹ֡לּוּ extol
Strong's: H5549
Word #: 5 of 11
to mound up (especially a turnpike); figurative, to exalt; reflexively, to oppose (as by a dam)
לָרֹכֵ֣ב him that rideth H7392
לָרֹכֵ֣ב him that rideth
Strong's: H7392
Word #: 6 of 11
to ride (on an animal or in a vehicle); causatively, to place upon (for riding or generally), to despatch
בָּ֭עֲרָבוֹת upon the heavens H6160
בָּ֭עֲרָבוֹת upon the heavens
Strong's: H6160
Word #: 7 of 11
a desert; especially (with the article prefix) the (generally) sterile valley of the jordan and its continuation to the red sea
בְּיָ֥הּ JAH H3050
בְּיָ֥הּ JAH
Strong's: H3050
Word #: 8 of 11
jah, the sacred name
שְׁמ֗וֹ by his name H8034
שְׁמ֗וֹ by his name
Strong's: H8034
Word #: 9 of 11
an appellation, as a mark or memorial of individuality; by implication honor, authority, character
וְעִלְז֥וּ and rejoice H5937
וְעִלְז֥וּ and rejoice
Strong's: H5937
Word #: 10 of 11
to jump for joy, i.e., exult
לְפָנָֽיו׃ before H6440
לְפָנָֽיו׃ before
Strong's: H6440
Word #: 11 of 11
the face (as the part that turns); used in a great variety of applications (literally and figuratively); also (with prepositional prefix) as a preposi

Analysis & Commentary

Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him. This verse calls for exuberant worship in response to God's mighty acts. The repeated command 'sing... sing praises' emphasizes joyful, musical celebration. 'Extol' (sollu, סֹלּוּ) means to lift up, to prepare a highway—it's the same verb used in Isaiah 40:3, 'Prepare ye the way of the LORD.' Worship prepares the way for God's presence, clearing obstacles and making His path straight.

The phrase 'rideth upon the heavens' (rokev ba'aravot, רֹכֵב בָּעֲרָבוֹת) describes God as the cosmic chariot-rider who traverses the skies. This imagery directly confronts Canaanite theology, where Baal was called 'rider of the clouds.' The psalmist reclaims this imagery for YHWH—He alone controls the storm clouds and celestial realms. The heavens are His chariot, and He rides in sovereign majesty above all creation.

The divine name 'JAH' (Yah, יָהּ) is a shortened form of YHWH (Yahweh), emphasizing intimacy and covenant relationship. While 'Elohim' (God) highlights power, 'Yah' stresses personal relationship with the covenant people. This name appears most famously in 'Hallelujah' (praise Yah). For Christians, this intimate divine name finds fulfillment in Jesus (Yeshua—'YHWH saves'), who makes the Father's name known (John 17:6). We rejoice before God not as distant subjects but as children who know the Father's name and delight in His presence.

Historical Context

The title 'rider upon the heavens' had specific ancient Near Eastern resonance. In Canaanite texts from Ugarit (dating to 1400-1200 BC), Baal is repeatedly called 'rider of the clouds' (rkb 'rpt), demonstrating his control over storm and fertility. For agricultural societies, control of rain meant control of life itself. By attributing this title to YHWH, the psalmist declares that Israel's God, not Baal, controls nature's life-giving forces.

This theological claim was revolutionary in ancient Canaan. When Israelites settled the land, they were surrounded by Baal worship and constantly tempted to hedge their bets by worshiping both YHWH and Baal (as the northern kingdom did under Ahab and Jezebel, 1 Kings 18). Psalm 68 makes an exclusive claim: YHWH alone rides the heavens; Baal is nothing. Elijah demonstrated this dramatically on Mount Carmel (1 Kings 18:20-40), where YHWH sent fire and rain while Baal remained silent.

The call to 'sing' and 'rejoice' reflects Israel's understanding that worship is celebratory response to God's character and deeds. Unlike pagan religions that sought to manipulate gods through ritual, Israel's worship was grateful response to YHWH's gracious initiative. Music, particularly congregational singing, created communal identity—Israel defined itself as the people who praise Yah. This worship tradition continued in Judaism (synagogue services) and Christianity (early church hymns, Ephesians 5:19).

Questions for Reflection