Psalms 147:3
He healeth the broken in heart, and bindeth up their wounds.
Original Language Analysis
Cross References
Historical Context
Stringed instruments feature prominently in Israel's temple worship. Psalm 33:2 mentions 'ten-stringed instrument' (asor), and Chronicles extensively documents temple musicians with lyres and harps (1 Chronicles 15:20-21). The Second Temple period saw development of more elaborate musical practice, though debates exist about continuity with First Temple practice. The harp (Hebrew 'chinor') was associated with pastoral and prophetic contexts as well as temple worship. The phrase 'with thanksgiving' (be-toda) points to the Hebrew word todah, which in some contexts refers to a specific sacrifice of thanksgiving (Leviticus 7:12-15). Connecting singing with thanksgiving may reflect the integration of music into the sacrificial system, though post-exilic contexts increasingly emphasized music and prayer as substitutes for or supplements to sacrifice. The phrase 'sing praise unto our God' (zamru elohenu) employs the verb zamar, which specifically connotes musical praise with instruments, distinguishing it from other forms of prayer.
Questions for Reflection
- Why should praise always be accompanied by thanksgiving, and how does this ground worship in reality?
- What role do instruments play in worship, and how do they differ from or complement vocal praise?
- How does the phrase 'our God' establish both personal relationship and communal identity?
- In what ways does the harp as symbol connect contemporary worship to Israel's tradition?
- How should the connection between singing, thanksgiving, and instrumental music inform modern worship practices?
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Analysis & Commentary
This verse turns from the goodness of worship itself to God's specific works: 'Sing unto the LORD with thanksgiving; sing praise upon the harp unto our God.' The command 'Sing unto the LORD with thanksgiving' (shiroh la-Adonai be-toda) connects singing with gratitude, suggesting that praise should be grounded in recognition of specific benefits. The phrase 'upon the harp' invokes instrumental accompaniment, indicating musical sophistication and emotional expression. 'Our God' personalizes the cosmic God to the community's relationship. The verse establishes that praise should emerge from thanksgiving - grateful recognition of God's gifts and actions. This distinguishes true worship from mere flattery or abstract theology. True praise responds to experienced goodness. The harp specifically, an instrument associated with David (1 Samuel 16:23), connects worship to Israel's royal tradition while making it accessible to the community through professional musicians and perhaps congregational participation.