Isaiah 52:14

Authorized King James Version

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As many were astonied at thee; his visage was so marred more than any man, and his form more than the sons of men:

Original Language Analysis

כַּאֲשֶׁ֨ר H834
כַּאֲשֶׁ֨ר
Strong's: H834
Word #: 1 of 11
who, which, what, that; also (as an adverb and a conjunction) when, where, how, because, in order that, etc
שָׁמְמ֤וּ were astonied H8074
שָׁמְמ֤וּ were astonied
Strong's: H8074
Word #: 2 of 11
to stun (or intransitively, grow numb), i.e., devastate or (figuratively) stupefy (both usually in a passive sense)
עָלֶ֙יךָ֙ H5921
עָלֶ֙יךָ֙
Strong's: H5921
Word #: 3 of 11
above, over, upon, or against (yet always in this last relation with a downward aspect) in a great variety of applications
רַבִּ֔ים As many H7227
רַבִּ֔ים As many
Strong's: H7227
Word #: 4 of 11
abundant (in quantity, size, age, number, rank, quality)
כֵּן H3651
כֵּן
Strong's: H3651
Word #: 5 of 11
properly, set upright; hence (figuratively as adjective) just; but usually (as adverb or conjunction) rightly or so (in various applications to manner
מִשְׁחַ֥ת was so marred H4893
מִשְׁחַ֥ת was so marred
Strong's: H4893
Word #: 6 of 11
disfigurement
מֵאִ֖ישׁ more than any man H376
מֵאִ֖ישׁ more than any man
Strong's: H376
Word #: 7 of 11
a man as an individual or a male person; often used as an adjunct to a more definite term (and in such cases frequently not expressed in translation)
מַרְאֵ֑הוּ at thee his visage H4758
מַרְאֵ֑הוּ at thee his visage
Strong's: H4758
Word #: 8 of 11
a view (the act of seeing); also an appearance (the thing seen), whether (real) a shape (especially if handsome, comeliness; often plural the looks),
וְתֹאֲר֖וֹ and his form H8389
וְתֹאֲר֖וֹ and his form
Strong's: H8389
Word #: 9 of 11
outline, i.e., figure or appearance
מִבְּנֵ֥י more than the sons H1121
מִבְּנֵ֥י more than the sons
Strong's: H1121
Word #: 10 of 11
a son (as a builder of the family name), in the widest sense (of literal and figurative relationship, including grandson, subject, nation, quality or
אָדָֽם׃ of men H120
אָדָֽם׃ of men
Strong's: H120
Word #: 11 of 11
ruddy i.e., a human being (an individual or the species, mankind, etc.)

Analysis & Commentary

As many were astonied at thee; his visage was so marred more than any man, and his form more than the sons of men: The juxtaposition of exaltation (v. 13) with disfigurement creates shocking contrast. "Astonied" (shamemu, שָׁמְמוּ) means appalled, horrified—not positive amazement but revulsion. The Servant's appearance provokes visceral disgust. "Visage" (mar'eh, מַרְאֶה, appearance/countenance) and "form" (to'ar, תֹּאַר, shape/beauty) describe comprehensive disfigurement affecting both face and body.

The comparative "more than any man" and "more than the sons of men" emphasizes unparalleled suffering—no human has endured such physical destruction. This prophesies Christ's passion: the scourging (Matthew 27:26), crown of thorns (Matthew 27:29), crucifixion's physical trauma. Isaiah 53:2 continues this theme: "no beauty that we should desire him." The Servant's suffering exceeds normal human experience, making Him unrecognizable as human—"marred beyond human semblance" (ESV).

From a Reformed perspective, this demonstrates the costliness of redemption. Sin's ugliness appears in the Servant's disfigurement—He bears sin's consequences physically (2 Corinthians 5:21). The revulsion He provokes reflects sin's repulsiveness to God. Yet this very marring accomplishes healing: "by his stripes we are healed" (Isaiah 53:5). The doctrine of penal substitution appears here—Christ's physical and spiritual suffering satisfies divine justice, bearing what we deserved. His disfigurement purchases our beauty (Ephesians 5:27).

Historical Context

Roman scourging typically used a flagrum—leather whip embedded with bone and metal pieces that tore flesh. Victims often died from scourging alone. The crown of thorns, mocking robe, and beatings (Matthew 27:27-31) added to disfigurement. Crucifixion involved nailing hands and feet, causing massive blood loss, shock, and eventually suffocation. Medical analyses of crucifixion describe horrific physical trauma.

Ancient witnesses like Tacitus, Josephus, and early Christian writers describe crucifixion's brutality. Archaeological discovery of a crucified man's remains (Yehohanan, first century CE) confirms Gospel accounts. Isaiah's prophecy, written 700 years before crucifixion became Roman practice, precisely describes Christ's suffering. Church tradition through art (Grünewald's Isenheim Altarpiece) and hymnody ("O Sacred Head Now Wounded") has meditated on this disfigurement, recognizing its centrality to atonement theology.

Questions for Reflection

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