Matthew 26:30
And when they had sung an hymn, they went out into the mount of Olives.
Original Language Analysis
Καὶ
And
G2532
Καὶ
And
Strong's:
G2532
Word #:
1 of 8
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ὑμνήσαντες
when they had sung an hymn
G5214
ὑμνήσαντες
when they had sung an hymn
Strong's:
G5214
Word #:
2 of 8
to hymn, i.e., sing a religious ode; by implication, to celebrate (god) in song
εἰς
into
G1519
εἰς
into
Strong's:
G1519
Word #:
4 of 8
to or into (indicating the point reached or entered), of place, time, or (figuratively) purpose (result, etc.); also in adverbial phrases
τὸ
G3588
τὸ
Strong's:
G3588
Word #:
5 of 8
the (sometimes to be supplied, at others omitted, in english idiom)
Historical Context
The Hallel hymns (Psalms 113-118) were divided: Psalms 113-114 before the meal, 115-118 after. Psalm 118 climaxes with messianic triumph and the 'stone the builders rejected.' Jesus and the disciples would have sung these powerful words on their way to His betrayal, arrest, and crucifixion.
Questions for Reflection
- How does singing Psalms 113-118 before Gethsemane demonstrate worship amid suffering?
- What does Jesus's deliberate movement toward the Mount of Olives teach about embracing God's will?
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Analysis & Commentary
When they had sung an hymn (ὑμνήσαντες, hymnēsantes)—This was the Hallel (Psalms 113-118), the traditional Passover conclusion. Imagine Jesus singing Psalm 118:22-24: The stone which the builders refused is become the head stone... This is the day which the LORD hath made—prophesying His rejection and resurrection while walking toward Gethsemane.
They went out into the mount of Olives—Leaving Jerusalem's walls violated Passover law (Exodus 12:22), signaling the old order's end. The Mount of Olives, where Messiah would appear (Zechariah 14:4), becomes the stage for Christ's agonizing prayer and arrest. Jesus moves deliberately toward His 'hour.'