Mark 5:38

Authorized King James Version

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And he cometh to the house of the ruler of the synagogue, and seeth the tumult, and them that wept and wailed greatly.

Original Language Analysis

καὶ And G2532
καὶ And
Strong's: G2532
Word #: 1 of 14
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἔρχεται he cometh G2064
ἔρχεται he cometh
Strong's: G2064
Word #: 2 of 14
to come or go (in a great variety of applications, literally and figuratively)
εἰς to G1519
εἰς to
Strong's: G1519
Word #: 3 of 14
to or into (indicating the point reached or entered), of place, time, or (figuratively) purpose (result, etc.); also in adverbial phrases
τὸν G3588
τὸν
Strong's: G3588
Word #: 4 of 14
the (sometimes to be supplied, at others omitted, in english idiom)
οἶκον the house G3624
οἶκον the house
Strong's: G3624
Word #: 5 of 14
a dwelling (more or less extensive, literal or figurative); by implication, a family (more or less related, literally or figuratively)
τοῦ G3588
τοῦ
Strong's: G3588
Word #: 6 of 14
the (sometimes to be supplied, at others omitted, in english idiom)
ἀρχισυναγώγου of the ruler of the synagogue G752
ἀρχισυναγώγου of the ruler of the synagogue
Strong's: G752
Word #: 7 of 14
director of the synagogue services
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 8 of 14
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
θεωρεῖ seeth G2334
θεωρεῖ seeth
Strong's: G2334
Word #: 9 of 14
to be a spectator of, i.e., discern, (literally, figuratively (experience) or intensively (acknowledge))
θόρυβον the tumult G2351
θόρυβον the tumult
Strong's: G2351
Word #: 10 of 14
a disturbance
κλαίοντας and them that wept G2799
κλαίοντας and them that wept
Strong's: G2799
Word #: 11 of 14
to sob, i.e., wail aloud (whereas 1145 is rather to cry silently)
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 12 of 14
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἀλαλάζοντας wailed G214
ἀλαλάζοντας wailed
Strong's: G214
Word #: 13 of 14
to vociferate, i.e., (by implication) to wail; figuratively, to clang
πολλά greatly G4183
πολλά greatly
Strong's: G4183
Word #: 14 of 14
(singular) much (in any respect) or (plural) many; neuter (singular) as adverbial, largely; neuter (plural) as adverb or noun often, mostly, largely

Analysis & Commentary

And he cometh to the house of the ruler of the synagogue, and seeth the tumult, and them that wept and wailed greatly. The scene at Jairus's house contrasts sharply with Jesus' calm authority. 'The tumult' (τὸν θόρυβον, ton thorybon) describes chaotic confusion—loud noises, disorder, and commotion characteristic of ancient mourning practices. 'Them that wept and wailed greatly' (κλαίοντας καὶ ἀλαλάζοντας πολλά, klaiontas kai alalazontas polla) depicts intense public grief display. The verb ἀλαλάζω (alalalazō) means to wail loudly, shriek, or make loud lamentation—customary mourning demonstration.

First-century Mediterranean culture expressed grief publicly and dramatically, unlike modern Western restraint. Professional mourners were hired to ensure proper social display befitting the deceased's status. For a synagogue ruler's daughter, extensive mourning was expected. Yet Jesus' response (v. 39) reveals this outward display lacked genuine faith-filled hope. The dramatic mourning actually hindered rather than helped—their certainty of death's finality created atmosphere of unbelief. This scene illustrates how cultural customs, even religious ones, can become obstacles to experiencing God's power when they embody unbelief rather than faith. Jesus would silence the tumult before performing the miracle, teaching that faith requires quieting faithless noise to hear and receive God's word.

Historical Context

Jewish mourning customs, described in Mishnah and other sources, involved specific practices: tearing garments, hiring professional mourners (mostly women), playing flutes, loud wailing, and gathering crowds to demonstrate proper grief. Larger crowds indicated greater honor to the deceased. For a prominent family like a synagogue ruler's, extensive mourning would be expected—failure to provide adequate mourning would bring shame. Professional mourners were paid to wail loudly and lead others in lamentation. This cultural context explains the scene's chaos—it wasn't spontaneous grief but organized mourning ritual. The speed with which mourners assembled (the girl just died) reflects cultural efficiency—professional mourners maintained readiness for quick deployment. Archaeologists have found tomb inscriptions and art depicting mourning scenes with multiple figures in exaggerated grief postures. Early church fathers contrasted pagan-style desperate mourning with Christian hope-filled grief (1 Thessalonians 4:13). This passage illustrates pre-resurrection mourning—after Christ's victory over death, Christian funerals reflected hope, not hopelessness.

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