Genesis 2:8

Authorized King James Version

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And the LORD God planted a garden eastward in Eden; and there he put the man whom he had formed.

Original Language Analysis

וַיִּטַּ֞ע planted H5193
וַיִּטַּ֞ע planted
Strong's: H5193
Word #: 1 of 12
properly, to strike in, i.e., fix; specifically, to plant (literally or figuratively)
יְהוָ֧ה And the LORD H3068
יְהוָ֧ה And the LORD
Strong's: H3068
Word #: 2 of 12
(the) self-existent or eternal; jeho-vah, jewish national name of god
אֱלֹהִ֛ים God H430
אֱלֹהִ֛ים God
Strong's: H430
Word #: 3 of 12
gods in the ordinary sense; but specifically used (in the plural thus, especially with the article) of the supreme god; occasionally applied by way of
גַּן a garden H1588
גַּן a garden
Strong's: H1588
Word #: 4 of 12
a garden (as fenced)
בְּעֵ֖דֶן in Eden H5731
בְּעֵ֖דֶן in Eden
Strong's: H5731
Word #: 5 of 12
eden, the region of adam's home
מִקֶּ֑דֶם eastward H6924
מִקֶּ֑דֶם eastward
Strong's: H6924
Word #: 6 of 12
the front, of place (absolutely, the fore part, relatively the east) or time (antiquity); often used adverbially (before, anciently, eastward)
וַיָּ֣שֶׂם he put H7760
וַיָּ֣שֶׂם he put
Strong's: H7760
Word #: 7 of 12
to put (used in a great variety of applications, literal, figurative, inferentially, and elliptically)
שָׁ֔ם and there H8033
שָׁ֔ם and there
Strong's: H8033
Word #: 8 of 12
there (transferring to time) then; often thither, or thence
אֶת H853
אֶת
Strong's: H853
Word #: 9 of 12
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
הָֽאָדָ֖ם the man H120
הָֽאָדָ֖ם the man
Strong's: H120
Word #: 10 of 12
ruddy i.e., a human being (an individual or the species, mankind, etc.)
אֲשֶׁ֥ר whom H834
אֲשֶׁ֥ר whom
Strong's: H834
Word #: 11 of 12
who, which, what, that; also (as an adverb and a conjunction) when, where, how, because, in order that, etc
יָצָֽר׃ he had formed H3335
יָצָֽר׃ he had formed
Strong's: H3335
Word #: 12 of 12
to mould into a form; especially as a potter; figuratively, to determine (i.e., form a resolution)

Analysis & Commentary

And the LORD God planted a garden eastward in Eden; and there he put the man whom he had formed.... This passage continues the detailed account of Eden, human creation, and God's design for human flourishing. Genesis 2 complements chapter 1 by providing intimate details about human origins, the garden setting, marriage institution, and humanity's vocation as priest-kings in God's sanctuary-garden.

The narrative emphasizes God's personal involvement, careful preparation of human habitation, clear communication of covenant requirements, and provision for human needs including work, rest, relationship, and worship. The garden of Eden represents perfect environment where heaven and earth intersect, God dwells with humanity, and everything needed for life and blessing exists.

Key theological themes include human dignity as divine image-bearers, work as divine calling (not curse), marriage as covenant partnership, moral freedom with accountability, and the necessity of obedience for blessing. The detailed geography and placement of Eden in historical space-time (rivers, lands) presents this as real history, not mythology. These foundational truths establish the pattern for understanding humanity's purpose, relationships, and destiny throughout Scripture.

Historical Context

Genesis 2 provides a detailed account of human creation and Eden's establishment, using different literary style than chapter 1. Ancient Near Eastern parallels include the Sumerian Paradise myth and the Gilgamesh Epic's plant of life, but Genesis transforms these motifs within strict monotheism. The garden sanctuary with its rivers, trees, and divine presence parallels ancient temple theology where gods dwelt in sacred spaces.

The geographical references (Pishon, Gihon, Hiddekel/Tigris, Euphrates) ground the narrative in historical space-time rather than mythological timelessness. While the exact location of Eden remains debated, the inclusion of identifiable rivers presents this as real geography, not allegory. The Mesopotamian setting connects to humanity's ancient origins in that region, confirmed by archaeology.

Ancient audiences would have recognized marriage's divine institution as countercultural, elevating women beyond their typical status as property. The intimate account of woman's creation from man's side presented revolutionary equality and partnership. The garden-temple imagery established patterns for Israel's tabernacle and temple, where God would again dwell with His people in sacred space requiring holiness and obedience.

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