Genesis 2:4

Authorized King James Version

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These are the generations of the heavens and of the earth when they were created, in the day that the LORD God made the earth and the heavens,

Original Language Analysis

אֵ֣לֶּה These H428
אֵ֣לֶּה These
Strong's: H428
Word #: 1 of 11
these or those
תוֹלְד֧וֹת are the generations H8435
תוֹלְד֧וֹת are the generations
Strong's: H8435
Word #: 2 of 11
(plural only) descent, i.e., family; (figuratively) history
וְשָׁמָֽיִם׃ and the heavens H8064
וְשָׁמָֽיִם׃ and the heavens
Strong's: H8064
Word #: 3 of 11
the sky (as aloft; the dual perhaps alluding to the visible arch in which the clouds move, as well as to the higher ether where the celestial bodies r
אֶ֥רֶץ and of the earth H776
אֶ֥רֶץ and of the earth
Strong's: H776
Word #: 4 of 11
the earth (at large, or partitively a land)
בְּהִבָּֽרְאָ֑ם when they were created H1254
בְּהִבָּֽרְאָ֑ם when they were created
Strong's: H1254
Word #: 5 of 11
(absolutely) to create; (qualified) to cut down (a wood), select, feed (as formative processes)
בְּי֗וֹם in the day H3117
בְּי֗וֹם in the day
Strong's: H3117
Word #: 6 of 11
a day (as the warm hours), whether literal (from sunrise to sunset, or from one sunset to the next), or figurative (a space of time defined by an asso
עֲשׂ֛וֹת made H6213
עֲשׂ֛וֹת made
Strong's: H6213
Word #: 7 of 11
to do or make, in the broadest sense and widest application
יְהוָ֥ה that the LORD H3068
יְהוָ֥ה that the LORD
Strong's: H3068
Word #: 8 of 11
(the) self-existent or eternal; jeho-vah, jewish national name of god
אֱלֹהִ֖ים God H430
אֱלֹהִ֖ים God
Strong's: H430
Word #: 9 of 11
gods in the ordinary sense; but specifically used (in the plural thus, especially with the article) of the supreme god; occasionally applied by way of
אֶ֥רֶץ and of the earth H776
אֶ֥רֶץ and of the earth
Strong's: H776
Word #: 10 of 11
the earth (at large, or partitively a land)
וְשָׁמָֽיִם׃ and the heavens H8064
וְשָׁמָֽיִם׃ and the heavens
Strong's: H8064
Word #: 11 of 11
the sky (as aloft; the dual perhaps alluding to the visible arch in which the clouds move, as well as to the higher ether where the celestial bodies r

Analysis & Commentary

These are the generations of the heavens and of the earth when they were created, in the day that th... This passage continues the detailed account of Eden, human creation, and God's design for human flourishing. Genesis 2 complements chapter 1 by providing intimate details about human origins, the garden setting, marriage institution, and humanity's vocation as priest-kings in God's sanctuary-garden.

The narrative emphasizes God's personal involvement, careful preparation of human habitation, clear communication of covenant requirements, and provision for human needs including work, rest, relationship, and worship. The garden of Eden represents perfect environment where heaven and earth intersect, God dwells with humanity, and everything needed for life and blessing exists.

Key theological themes include human dignity as divine image-bearers, work as divine calling (not curse), marriage as covenant partnership, moral freedom with accountability, and the necessity of obedience for blessing. The detailed geography and placement of Eden in historical space-time (rivers, lands) presents this as real history, not mythology. These foundational truths establish the pattern for understanding humanity's purpose, relationships, and destiny throughout Scripture.

Historical Context

Genesis 2 provides a detailed account of human creation and Eden's establishment, using different literary style than chapter 1. Ancient Near Eastern parallels include the Sumerian Paradise myth and the Gilgamesh Epic's plant of life, but Genesis transforms these motifs within strict monotheism. The garden sanctuary with its rivers, trees, and divine presence parallels ancient temple theology where gods dwelt in sacred spaces.

The geographical references (Pishon, Gihon, Hiddekel/Tigris, Euphrates) ground the narrative in historical space-time rather than mythological timelessness. While the exact location of Eden remains debated, the inclusion of identifiable rivers presents this as real geography, not allegory. The Mesopotamian setting connects to humanity's ancient origins in that region, confirmed by archaeology.

Ancient audiences would have recognized marriage's divine institution as countercultural, elevating women beyond their typical status as property. The intimate account of woman's creation from man's side presented revolutionary equality and partnership. The garden-temple imagery established patterns for Israel's tabernacle and temple, where God would again dwell with His people in sacred space requiring holiness and obedience.

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