Genesis 2:23

Authorized King James Version

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And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.

Original Language Analysis

וַיֹּאמֶר֮ said H559
וַיֹּאמֶר֮ said
Strong's: H559
Word #: 1 of 15
to say (used with great latitude)
הָֽאָדָם֒ And Adam H120
הָֽאָדָם֒ And Adam
Strong's: H120
Word #: 2 of 15
ruddy i.e., a human being (an individual or the species, mankind, etc.)
זֹּֽאת׃ This H2063
זֹּֽאת׃ This
Strong's: H2063
Word #: 3 of 15
this (often used adverb)
הַפַּ֗עַם is now H6471
הַפַּ֗עַם is now
Strong's: H6471
Word #: 4 of 15
a stroke, literally or figuratively (in various applications, as follow)
מֵֽעֲצָמַ֔י bone H6106
מֵֽעֲצָמַ֔י bone
Strong's: H6106
Word #: 5 of 15
a bone (as strong); by extension, the body; figuratively, the substance, i.e., (as pron.) selfsame
מֵֽעֲצָמַ֔י bone H6106
מֵֽעֲצָמַ֔י bone
Strong's: H6106
Word #: 6 of 15
a bone (as strong); by extension, the body; figuratively, the substance, i.e., (as pron.) selfsame
מִבְּשָׂרִ֑י and flesh H1320
מִבְּשָׂרִ֑י and flesh
Strong's: H1320
Word #: 7 of 15
flesh (from its freshness); by extension, body, person; also (by euphemistically) the pudenda of a man
מִבְּשָׂרִ֑י and flesh H1320
מִבְּשָׂרִ֑י and flesh
Strong's: H1320
Word #: 8 of 15
flesh (from its freshness); by extension, body, person; also (by euphemistically) the pudenda of a man
זֹּֽאת׃ This H2063
זֹּֽאת׃ This
Strong's: H2063
Word #: 9 of 15
this (often used adverb)
יִקָּרֵ֣א shall be called H7121
יִקָּרֵ֣א shall be called
Strong's: H7121
Word #: 10 of 15
to call out to (i.e., properly, address by name, but used in a wide variety of applications)
אִשָּׁ֔ה Woman H802
אִשָּׁ֔ה Woman
Strong's: H802
Word #: 11 of 15
a woman
כִּ֥י H3588
כִּ֥י
Strong's: H3588
Word #: 12 of 15
(by implication) very widely used as a relative conjunction or adverb (as below); often largely modified by other particles annexed
מֵאִ֖ישׁ out of Man H376
מֵאִ֖ישׁ out of Man
Strong's: H376
Word #: 13 of 15
a man as an individual or a male person; often used as an adjunct to a more definite term (and in such cases frequently not expressed in translation)
לֻֽקֳחָה she was taken H3947
לֻֽקֳחָה she was taken
Strong's: H3947
Word #: 14 of 15
to take (in the widest variety of applications)
זֹּֽאת׃ This H2063
זֹּֽאת׃ This
Strong's: H2063
Word #: 15 of 15
this (often used adverb)

Analysis & Commentary

And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, becau... This passage continues the detailed account of Eden, human creation, and God's design for human flourishing. Genesis 2 complements chapter 1 by providing intimate details about human origins, the garden setting, marriage institution, and humanity's vocation as priest-kings in God's sanctuary-garden.

The narrative emphasizes God's personal involvement, careful preparation of human habitation, clear communication of covenant requirements, and provision for human needs including work, rest, relationship, and worship. The garden of Eden represents perfect environment where heaven and earth intersect, God dwells with humanity, and everything needed for life and blessing exists.

Key theological themes include human dignity as divine image-bearers, work as divine calling (not curse), marriage as covenant partnership, moral freedom with accountability, and the necessity of obedience for blessing. The detailed geography and placement of Eden in historical space-time (rivers, lands) presents this as real history, not mythology. These foundational truths establish the pattern for understanding humanity's purpose, relationships, and destiny throughout Scripture.

Historical Context

Genesis 2 provides a detailed account of human creation and Eden's establishment, using different literary style than chapter 1. Ancient Near Eastern parallels include the Sumerian Paradise myth and the Gilgamesh Epic's plant of life, but Genesis transforms these motifs within strict monotheism. The garden sanctuary with its rivers, trees, and divine presence parallels ancient temple theology where gods dwelt in sacred spaces.

The geographical references (Pishon, Gihon, Hiddekel/Tigris, Euphrates) ground the narrative in historical space-time rather than mythological timelessness. While the exact location of Eden remains debated, the inclusion of identifiable rivers presents this as real geography, not allegory. The Mesopotamian setting connects to humanity's ancient origins in that region, confirmed by archaeology.

Ancient audiences would have recognized marriage's divine institution as countercultural, elevating women beyond their typical status as property. The intimate account of woman's creation from man's side presented revolutionary equality and partnership. The garden-temple imagery established patterns for Israel's tabernacle and temple, where God would again dwell with His people in sacred space requiring holiness and obedience.

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