Genesis 2:14

Authorized King James Version

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And the name of the third river is Hiddekel: that is it which goeth toward the east of Assyria. And the fourth river is Euphrates.

Original Language Analysis

וְשֵׁ֨ם And the name H8034
וְשֵׁ֨ם And the name
Strong's: H8034
Word #: 1 of 12
an appellation, as a mark or memorial of individuality; by implication honor, authority, character
וְהַנָּהָ֥ר river H5104
וְהַנָּהָ֥ר river
Strong's: H5104
Word #: 2 of 12
a stream (including the sea; expectation the nile, euphrates, etc.); figuratively, prosperity
הַשְּׁלִישִׁי֙ of the third H7992
הַשְּׁלִישִׁי֙ of the third
Strong's: H7992
Word #: 3 of 12
third; feminine a third (part); by extension, a third (day, year or time); specifically, a third-story cell)
חִדֶּ֔קֶל is Hiddekel H2313
חִדֶּ֔קֶל is Hiddekel
Strong's: H2313
Word #: 4 of 12
the chiddekel (or tigris) river
ה֥וּא H1931
ה֥וּא
Strong's: H1931
Word #: 5 of 12
he (she or it); only expressed when emphatic or without a verb; also (intensively) self, or (especially with the article) the same; sometimes (as demo
הַֽהֹלֵ֖ךְ that is it which goeth toward H1980
הַֽהֹלֵ֖ךְ that is it which goeth toward
Strong's: H1980
Word #: 6 of 12
to walk (in a great variety of applications, literally and figuratively)
קִדְמַ֣ת the east H6926
קִדְמַ֣ת the east
Strong's: H6926
Word #: 7 of 12
the forward part (or relatively) east (often adverbially, on the east or in front)
אַשּׁ֑וּר of Assyria H804
אַשּׁ֑וּר of Assyria
Strong's: H804
Word #: 8 of 12
ashshur, the second son of shem; also his descendants and the country occupied by them (i.e., assyria), its region and its empire
וְהַנָּהָ֥ר river H5104
וְהַנָּהָ֥ר river
Strong's: H5104
Word #: 9 of 12
a stream (including the sea; expectation the nile, euphrates, etc.); figuratively, prosperity
הָֽרְבִיעִ֖י And the fourth H7243
הָֽרְבִיעִ֖י And the fourth
Strong's: H7243
Word #: 10 of 12
fourth; also (fractionally) a fourth
ה֥וּא H1931
ה֥וּא
Strong's: H1931
Word #: 11 of 12
he (she or it); only expressed when emphatic or without a verb; also (intensively) self, or (especially with the article) the same; sometimes (as demo
פְרָֽת׃ is Euphrates H6578
פְרָֽת׃ is Euphrates
Strong's: H6578
Word #: 12 of 12
perath (i.e., euphrates), a river of the east

Analysis & Commentary

And the name of the third river is Hiddekel: that is it which goeth toward the east of Assyria. And ... This passage continues the detailed account of Eden, human creation, and God's design for human flourishing. Genesis 2 complements chapter 1 by providing intimate details about human origins, the garden setting, marriage institution, and humanity's vocation as priest-kings in God's sanctuary-garden.

The narrative emphasizes God's personal involvement, careful preparation of human habitation, clear communication of covenant requirements, and provision for human needs including work, rest, relationship, and worship. The garden of Eden represents perfect environment where heaven and earth intersect, God dwells with humanity, and everything needed for life and blessing exists.

Key theological themes include human dignity as divine image-bearers, work as divine calling (not curse), marriage as covenant partnership, moral freedom with accountability, and the necessity of obedience for blessing. The detailed geography and placement of Eden in historical space-time (rivers, lands) presents this as real history, not mythology. These foundational truths establish the pattern for understanding humanity's purpose, relationships, and destiny throughout Scripture.

Historical Context

Genesis 2 provides a detailed account of human creation and Eden's establishment, using different literary style than chapter 1. Ancient Near Eastern parallels include the Sumerian Paradise myth and the Gilgamesh Epic's plant of life, but Genesis transforms these motifs within strict monotheism. The garden sanctuary with its rivers, trees, and divine presence parallels ancient temple theology where gods dwelt in sacred spaces.

The geographical references (Pishon, Gihon, Hiddekel/Tigris, Euphrates) ground the narrative in historical space-time rather than mythological timelessness. While the exact location of Eden remains debated, the inclusion of identifiable rivers presents this as real geography, not allegory. The Mesopotamian setting connects to humanity's ancient origins in that region, confirmed by archaeology.

Ancient audiences would have recognized marriage's divine institution as countercultural, elevating women beyond their typical status as property. The intimate account of woman's creation from man's side presented revolutionary equality and partnership. The garden-temple imagery established patterns for Israel's tabernacle and temple, where God would again dwell with His people in sacred space requiring holiness and obedience.

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