And on the morrow, when Agrippa was come, and Bernice, with great pomp, and was entered into the place of hearing, with the chief captains, and principal men of the city, at Festus' commandment Paul was brought forth.
And on the morrow, when Agrippa was come, and Bernice, with great pomp—The scene is spectacular: μετὰ πολλῆς φαντασίας (meta pollēs phantasias, 'with much pageantry, display, spectacle'). Agrippa and Bernice arrive in full royal regalia—a theatrical entrance designed to display power and majesty. The contrast is deliberate: worldly pomp versus Paul's imprisoned simplicity, yet Paul has the greater message and authority.
And was entered into the place of hearing, with the chief captains, and principal men of the city—The akroatērion (ἀκροατήριον, 'audience chamber, hearing room') fills with χιλιάρχοις (chiliarchois, 'military tribunes, commanders') and ἐξοχοῖς ἀνδράσιν (exochois andrasin, 'prominent men, leaders') of Caesarea. At Festus' commandment Paul was brought forth—the prisoner enters this gathering of power and prestige. Yet Acts records none of their words, only Paul's testimony. Human pomp fades; gospel truth endures.
Historical Context
Caesarea Maritima was Herod the Great's showcase capital, with a magnificent palace that served as the Roman procurator's residence. The audience chamber was designed to impress—marble columns, mosaics, symbols of Roman power. Agrippa's entrance would include trumpets, guards, and ceremonial protocol befitting royalty. The gathering represented the three power structures of first-century Palestine: Roman government (Festus, tribunes), Jewish royalty (Agrippa), and local aristocracy (principal men). Paul stands before all three as a prisoner in chains, yet his message will outlast their kingdoms.
Questions for Reflection
How does the contrast between worldly pomp and gospel simplicity challenge our own attraction to spectacle over substance in worship?
What does this scene teach about the temporary nature of human power and pageantry compared to the eternal weight of gospel testimony?
In what ways might contemporary Christianity sometimes emphasize presentation and pomp over the simple, powerful proclamation of Christ?
Related Resources
Explore related topics, people, and study resources to deepen your understanding of this passage.
Analysis & Commentary
And on the morrow, when Agrippa was come, and Bernice, with great pomp—The scene is spectacular: μετὰ πολλῆς φαντασίας (meta pollēs phantasias, 'with much pageantry, display, spectacle'). Agrippa and Bernice arrive in full royal regalia—a theatrical entrance designed to display power and majesty. The contrast is deliberate: worldly pomp versus Paul's imprisoned simplicity, yet Paul has the greater message and authority.
And was entered into the place of hearing, with the chief captains, and principal men of the city—The akroatērion (ἀκροατήριον, 'audience chamber, hearing room') fills with χιλιάρχοις (chiliarchois, 'military tribunes, commanders') and ἐξοχοῖς ἀνδράσιν (exochois andrasin, 'prominent men, leaders') of Caesarea. At Festus' commandment Paul was brought forth—the prisoner enters this gathering of power and prestige. Yet Acts records none of their words, only Paul's testimony. Human pomp fades; gospel truth endures.