Revelation 21:13

Authorized King James Version

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On the east three gates; on the north three gates; on the south three gates; and on the west three gates.

Original Language Analysis

ἀπὸ On G575
ἀπὸ On
Strong's: G575
Word #: 1 of 16
"off," i.e., away (from something near), in various senses (of place, time, or relation; literal or figurative)
ἀνατολῆς the east G395
ἀνατολῆς the east
Strong's: G395
Word #: 2 of 16
a rising of light, i.e., dawn (figuratively); by implication, the east (also in plural)
πυλῶνες gates G4440
πυλῶνες gates
Strong's: G4440
Word #: 3 of 16
a gate-way, door-way of a building or city; by implication, a portal or vestibule
τρεῖς three G5140
τρεῖς three
Strong's: G5140
Word #: 4 of 16
"three"
ἀπὸ On G575
ἀπὸ On
Strong's: G575
Word #: 5 of 16
"off," i.e., away (from something near), in various senses (of place, time, or relation; literal or figurative)
βοῤῥᾶ the north G1005
βοῤῥᾶ the north
Strong's: G1005
Word #: 6 of 16
the north (properly, wind)
πυλῶνες gates G4440
πυλῶνες gates
Strong's: G4440
Word #: 7 of 16
a gate-way, door-way of a building or city; by implication, a portal or vestibule
τρεῖς three G5140
τρεῖς three
Strong's: G5140
Word #: 8 of 16
"three"
ἀπὸ On G575
ἀπὸ On
Strong's: G575
Word #: 9 of 16
"off," i.e., away (from something near), in various senses (of place, time, or relation; literal or figurative)
νότου the south G3558
νότου the south
Strong's: G3558
Word #: 10 of 16
the south(-west) wind; by extension, the southern quarter itself
πυλῶνες gates G4440
πυλῶνες gates
Strong's: G4440
Word #: 11 of 16
a gate-way, door-way of a building or city; by implication, a portal or vestibule
τρεῖς three G5140
τρεῖς three
Strong's: G5140
Word #: 12 of 16
"three"
ἀπὸ On G575
ἀπὸ On
Strong's: G575
Word #: 13 of 16
"off," i.e., away (from something near), in various senses (of place, time, or relation; literal or figurative)
δυσμῶν the west G1424
δυσμῶν the west
Strong's: G1424
Word #: 14 of 16
the sun-set, i.e., (by implication) the western region
πυλῶνες gates G4440
πυλῶνες gates
Strong's: G4440
Word #: 15 of 16
a gate-way, door-way of a building or city; by implication, a portal or vestibule
τρεῖς three G5140
τρεῖς three
Strong's: G5140
Word #: 16 of 16
"three"

Analysis & Commentary

On the east three gates; on the north three gates; on the south three gates; and on the west three gates.... This verse from Revelation's vision of new heaven, new earth, new jerusalem - eternal state, god dwelling with his people employs apocalyptic imagery rich with Old Testament allusions and symbolic meaning. The Greek text uses vivid apocalyptic language characteristic of Jewish prophetic literature, drawing heavily from Daniel, Ezekiel, Isaiah, and Zechariah.

The symbolism must be interpreted within its first-century context while recognizing timeless spiritual realities. The imagery would resonate powerfully with persecuted believers facing Roman imperial cult worship, providing hope that despite present suffering, Christ reigns sovereign and will consummate His kingdom. The apocalyptic genre uses symbolic numbers (seven, twelve, 144,000), colors, beasts, and cosmic imagery to convey theological truth rather than photographic descriptions.

Christologically, Revelation consistently exalts Jesus as the victorious Lamb, the faithful witness, the King of kings and Lord of lords. Every vision ultimately points to Christ's supremacy, His finished redemptive work, and His certain return to judge the living and dead and establish the new creation.

Historical Context

John received this revelation circa AD 95 during Domitian's persecution, exiled on Patmos for his testimony. The seven churches of Asia Minor faced increasing pressure to participate in emperor worship and pagan religious practices. Refusal meant economic hardship, social ostracism, and potential martyrdom. Understanding this context illuminates Revelation's encouragement to faithful endurance.

The apocalyptic genre was familiar to first-century Jewish and Christian readers. Rather than newspaper-style predictions, apocalyptic literature uses symbolic imagery to reveal spiritual realities behind earthly events, encourage the faithful, warn the unfaithful, and assert God's ultimate sovereignty over history. Parallels with Daniel, Ezekiel, and intertestamental apocalyptic writings would help original readers decode the symbols.

Rome's imperial cult demanded worship of Caesar as divine, placing Christians in impossible situations—compromise their faith or face persecution. Revelation identifies Rome as "Babylon" and assures believers that despite appearances, the Lamb conquered through His death and resurrection, and all earthly kingdoms will submit to His reign.

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