Revelation 12:2

Authorized King James Version

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And she being with child cried, travailing in birth, and pained to be delivered.

Original Language Analysis

καὶ And G2532
καὶ And
Strong's: G2532
Word #: 1 of 9
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
ἐν with G1722
ἐν with
Strong's: G1722
Word #: 2 of 9
"in," at, (up-)on, by, etc
γαστρὶ child G1064
γαστρὶ child
Strong's: G1064
Word #: 3 of 9
the stomach; by analogy, the matrix; figuratively, a gourmand
ἔχουσα she being G2192
ἔχουσα she being
Strong's: G2192
Word #: 4 of 9
to hold (used in very various applications, literally or figuratively, direct or remote; such as possession; ability, contiuity, relation, or conditio
κράζει cried G2896
κράζει cried
Strong's: G2896
Word #: 5 of 9
properly, to "croak" (as a raven) or scream, i.e., (genitive case) to call aloud (shriek, exclaim, intreat)
ὠδίνουσα travailing in birth G5605
ὠδίνουσα travailing in birth
Strong's: G5605
Word #: 6 of 9
to experience the pains of parturition (literally or figuratively)
καὶ And G2532
καὶ And
Strong's: G2532
Word #: 7 of 9
and, also, even, so then, too, etc.; often used in connection (or composition) with other particles or small words
βασανιζομένη pained G928
βασανιζομένη pained
Strong's: G928
Word #: 8 of 9
to torture
τεκεῖν to be delivered G5088
τεκεῖν to be delivered
Strong's: G5088
Word #: 9 of 9
to produce (from seed, as a mother, a plant, the earth, etc.), literally or figuratively

Analysis & Commentary

And she being with child cried, travailing in birth, and pained to be delivered.... This verse from Revelation's vision of woman, child, and dragon - cosmic conflict, satan's defeat, messiah's victory employs apocalyptic imagery rich with Old Testament allusions and symbolic meaning. The Greek text uses vivid apocalyptic language characteristic of Jewish prophetic literature, drawing heavily from Daniel, Ezekiel, Isaiah, and Zechariah.

The symbolism must be interpreted within its first-century context while recognizing timeless spiritual realities. The imagery would resonate powerfully with persecuted believers facing Roman imperial cult worship, providing hope that despite present suffering, Christ reigns sovereign and will consummate His kingdom. The apocalyptic genre uses symbolic numbers (seven, twelve, 144,000), colors, beasts, and cosmic imagery to convey theological truth rather than photographic descriptions.

Christologically, Revelation consistently exalts Jesus as the victorious Lamb, the faithful witness, the King of kings and Lord of lords. Every vision ultimately points to Christ's supremacy, His finished redemptive work, and His certain return to judge the living and dead and establish the new creation.

Historical Context

John received this revelation circa AD 95 during Domitian's persecution, exiled on Patmos for his testimony. The seven churches of Asia Minor faced increasing pressure to participate in emperor worship and pagan religious practices. Refusal meant economic hardship, social ostracism, and potential martyrdom. Understanding this context illuminates Revelation's encouragement to faithful endurance.

The apocalyptic genre was familiar to first-century Jewish and Christian readers. Rather than newspaper-style predictions, apocalyptic literature uses symbolic imagery to reveal spiritual realities behind earthly events, encourage the faithful, warn the unfaithful, and assert God's ultimate sovereignty over history. Parallels with Daniel, Ezekiel, and intertestamental apocalyptic writings would help original readers decode the symbols.

Rome's imperial cult demanded worship of Caesar as divine, placing Christians in impossible situations—compromise their faith or face persecution. Revelation identifies Rome as "Babylon" and assures believers that despite appearances, the Lamb conquered through His death and resurrection, and all earthly kingdoms will submit to His reign.

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