Job 20:25

Authorized King James Version

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It is drawn, and cometh out of the body; yea, the glittering sword cometh out of his gall: terrors are upon him.

Original Language Analysis

שָׁלַף֮ It is drawn H8025
שָׁלַף֮ It is drawn
Strong's: H8025
Word #: 1 of 8
to pull out, up or off
וַיֵּצֵ֪א and cometh out H3318
וַיֵּצֵ֪א and cometh out
Strong's: H3318
Word #: 2 of 8
to go (causatively, bring) out, in a great variety of applications, literally and figuratively, direct and proxim
מִגֵּ֫וָ֥ה of the body H1465
מִגֵּ֫וָ֥ה of the body
Strong's: H1465
Word #: 3 of 8
the back, i.e., (by extensive) the person
וּ֭בָרָק yea the glittering sword H1300
וּ֭בָרָק yea the glittering sword
Strong's: H1300
Word #: 4 of 8
lightning; by analogy, a gleam; concretely, a flashing sword
מִֽמְּרֹרָת֥וֹ of his gall H4846
מִֽמְּרֹרָת֥וֹ of his gall
Strong's: H4846
Word #: 5 of 8
properly, bitterness; concretely, a bitter thing; specifically bile; also venom (of a serpent)
יַהֲלֹ֗ךְ cometh out H1980
יַהֲלֹ֗ךְ cometh out
Strong's: H1980
Word #: 6 of 8
to walk (in a great variety of applications, literally and figuratively)
עָלָ֥יו H5921
עָלָ֥יו
Strong's: H5921
Word #: 7 of 8
above, over, upon, or against (yet always in this last relation with a downward aspect) in a great variety of applications
אֵמִֽים׃ terrors H367
אֵמִֽים׃ terrors
Strong's: H367
Word #: 8 of 8
fright; concrete, an idol (as a bugbear)

Analysis & Commentary

It is drawn, and cometh out of the body (שָׁלַף וַיֵּצֵא מִגֵּוָה, shalaph vayyetse miggevah)—the arrow is pulled out from the torso, the verb shalaph meaning to draw out or extract. The glittering sword cometh out of his gall (וּבָרָק מִמְּרֹרָתוֹ יֵצֵא, uvaraq mimerortho yetse)—baraq means lightning or glittering blade; meroroth (gall/bile) represents the vital organs. The withdrawal of the weapon causes maximum agony.

Terrors are upon him (עָלָיו אֵימִים, alav emim)—emim denotes overwhelming dread, the same word describing primeval giants (Deuteronomy 2:10). Zophar paints death as traumatic terror, not peaceful passing. His graphic description reveals his cruelty toward suffering Job—he wants Job to envision this violent end as his deserved fate.

Historical Context

Ancient warfare involved brutal close combat. Arrows and spears often remained embedded in bodies until extracted—a secondary trauma. Zophar's audience would vividly imagine this scenario. The 'terrors' may also reference death's psychological horror in ancient Near Eastern thought, where Sheol represented shadowy, joyless existence. Without clear resurrection hope, death inspired profound dread.

Questions for Reflection