Lamentations 2:7
A focused desk for reading, commentary, cross-references, original language notes, and your own observations.
Lamentations 2:7
7 The Lord hath cast off his altar, he hath abhorred his sanctuary, he hath given up into the hand of the enemy the walls of her palaces; they have made a noise in the house of the LORD, as in the day of a solemn feast.
Chapter Context
Lamentations 2 is a funeral dirge chapter in the Old Testament that explores themes of obedience, love, faith. Written during just after Jerusalem's fall (c. 586 BCE), this chapter should be understood within its historical context: Written amid the devastating aftermath of Jerusalem's destruction by Babylon.
The chapter can be divided into several sections:
- Verses 1-5: Introduction and setting the context
- Verses 6-12: Development of key themes
- Verses 13-20: Central message and teachings
- Verses 21-22: Conclusion and application
This chapter is significant because it provides guidance for worship and spiritual devotion. When studying this passage, it's important to consider both its immediate context within Lamentations and its broader place in the scriptural canon.
Verse Study
Lamentations 2:7
7 The Lord hath cast off his altar, he hath abhorred his sanctuary, he hath given up into the hand of the enemy the walls of her palaces; they have made a noise in the house of the LORD, as in the day of a solemn feast.
Analysis
The desecration of worship continues: "The Lord hath cast off his altar, he hath abhorred his sanctuary" (zanach Adonai mizbecho ni'er mikdasho, זָנַח אֲדֹנָי מִזְבְּחוֹ נִאֵר מִקְדָּשׁוֹ). The verb zanach (זָנַח, "cast off, reject") and na'ar (נִאֵר, "abhor, spurn") are strong terms expressing divine repudiation. God rejects His own altar and sanctuary—institutions He ordained. This shows that religious forms divorced from heart obedience become detestable to God (Isaiah 1:11-15, Amos 5:21-23). The phrase "he hath given up into the hand of the enemy the walls of her palaces" (hisgir be-yad-oyev chomot armenotehe) shows God actively delivering Jerusalem's defenses to enemies. Most painful: "they have made a noise in the house of the LORD, as in the day of a solemn feast" (natnu kolam be-veit-YHWH ki-yom mo'ed). Enemy shouts in the temple replace worship songs. What should echo with praises to Yahweh now rings with pagan victory cries. The ultimate desecration.
Historical Context
The altar and sanctuary represented the heart of Israel's worship system. The bronze altar in the temple courtyard (1 Kings 8:64) was where daily sacrifices were offered morning and evening (Exodus 29:38-42). The sanctuary (mikdash) encompassed the Holy Place and Most Holy Place. For God to 'cast off' these meant covenant relationship was broken. Ezekiel 10:18-19 describes God's glory departing the temple before its destruction. When Babylonian soldiers entered, they found it already abandoned by God's presence. The 'noise' of enemies in God's house contrasts with proper temple worship—Levitical singing, priestly blessings, worshipers' prayers. Instead, Psalm 74:4 laments: 'Thine enemies roar in the midst of thy congregations.' The phrase 'as in the day of a solemn feast' bitterly ironizes: festival days brought joyful noise to God's house, but now enemy shouts replace celebratory worship.
Reflection
- How does God casting off His own altar demonstrate that external religious observance means nothing without heart obedience?
- What parallels exist between God abhorring the Jerusalem sanctuary and Jesus pronouncing 'your house is left desolate' (Matthew 23:38)?
- In what ways might our worship become mere 'noise' to God when divorced from justice, mercy, and humility (Micah 6:6-8)?
Word Studies
- Lord: יְהוָה / אֲדֹנָי (YHWH / Adonai) H3068 - The LORD / Lord
Cross-References
- References Lord: Jeremiah 52:13
- Temple: Ezekiel 24:21
- Parallel theme: Amos 2:5