Passage Workspace

Amos 5:23

A focused desk for reading, commentary, cross-references, original language notes, and your own observations.

Chapter Interlinear Verse Page

Amos 5:23

23 Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols.

Chapter Context

Amos 5 is a prophetic oracle chapter in the Old Testament that explores themes of love, prayer, salvation. Written during the prosperous period of Jeroboam II (c. 760-750 BCE), this chapter should be understood within its historical context: Economic prosperity masked serious social injustice and religious hypocrisy.

The chapter can be divided into several sections:

  1. Verses 1-5: Introduction and setting the context
  2. Verses 6-12: Development of key themes
  3. Verses 13-20: Central message and teachings
  4. Verses 21-27: Conclusion and application

This chapter is significant because it demonstrates God's faithfulness despite human unfaithfulness. When studying this passage, it's important to consider both its immediate context within Amos and its broader place in the scriptural canon.

Verse Study

Amos 5:23

23 Take thou away from me the noise of thy songs; for I will not hear the melody of thy viols.

Analysis

Take thou away from me the noise of thy songs (haser me'alai hamon shirekha, הָסֵר מֵעָלַי הֲמוֹן שִׁירֶיךָ)—God commands Israel to remove their worship music because He finds it unbearable. The word hamon (הָמוֹן) means "noise, tumult, uproar"—God doesn't hear their songs (shir, שִׁיר, formal worship hymns) as beautiful music but as grating noise. This is devastating: worship meant to honor God instead offends Him.

For I will not hear the melody of thy viols (vezimirat nevalekha lo eshma', וְזִמְרַת נְבָלֶיךָ לֹא אֶשְׁמָע)—the nevel (נֵבֶל, "lyre/harp") was a primary worship instrument (Psalm 33:2, 57:8, 144:9). God refuses to hear (shama', שָׁמַע, "listen/give attention to") their instrumental music. The verb choice is significant: God doesn't merely dislike it; He actively refuses to listen—like covering His ears against cacophony.

Why such strong language? Because worship divorced from justice is hypocrisy, and hypocritical worship is worse than no worship at all. Verse 24 provides the alternative: But let judgment run down as waters, and righteousness as a mighty stream—God wants justice (mishpat, מִשְׁפָּט) and righteousness (tzedaqah, צְדָקָה), not empty ceremony. Proverbs 21:3 states: "To do justice and judgment is more acceptable to the LORD than sacrifice." Jesus applied this principle when He cleansed the temple (Matthew 21:12-13)—God's house must be a house of prayer, not a marketplace or performance theater.

Historical Context

Ancient Israelite worship included singing and instrumental music—psalms were sung with lyre, harp, and other instruments (Psalm 150). Israel's worship at Bethel and Dan was musically elaborate and liturgically impressive (Amos 4:4-5). Yet God declares He will not listen because the worshipers oppressed the poor while singing praises. This exposes a perennial temptation: substituting aesthetic excellence or emotional experience for ethical obedience. Music, however skillful, cannot substitute for righteousness.

Reflection

  • How might contemporary worship services prioritize musical excellence or emotional experience while tolerating injustice or unrighteousness?
  • What does it mean that God refuses to listen to worship from those who neglect justice and righteousness?

Cross-References

Original Language

הָסֵ֥ר H5493 מֵעָלַ֖י H5921 הֲמ֣וֹן H1995 שִׁרֶ֑יךָ H7892 וְזִמְרַ֥ת H2172 נְבָלֶ֖יךָ H5035 לֹ֥א H3808 אֶשְׁמָֽע׃ H8085