Revelation 2:4

Authorized King James Version

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Nevertheless I have somewhat against thee, because thou hast left thy first love.

Original Language Analysis

ἀλλ' Nevertheless G235
ἀλλ' Nevertheless
Strong's: G235
Word #: 1 of 11
properly, other things, i.e., (adverbially) contrariwise (in many relations)
ἔχω I have G2192
ἔχω I have
Strong's: G2192
Word #: 2 of 11
to hold (used in very various applications, literally or figuratively, direct or remote; such as possession; ability, contiuity, relation, or conditio
κατὰ somewhat against G2596
κατὰ somewhat against
Strong's: G2596
Word #: 3 of 11
(prepositionally) down (in place or time), in varied relations (according to the case (genitive, dative or accusative) with which it is joined)
σου thee G4675
σου thee
Strong's: G4675
Word #: 4 of 11
of thee, thy
ὅτι because G3754
ὅτι because
Strong's: G3754
Word #: 5 of 11
demonstrative, that (sometimes redundant); causative, because
τὴν G3588
τὴν
Strong's: G3588
Word #: 6 of 11
the (sometimes to be supplied, at others omitted, in english idiom)
ἀγάπην love G26
ἀγάπην love
Strong's: G26
Word #: 7 of 11
love, i.e., affection or benevolence; specially (plural) a love-feast
σου thee G4675
σου thee
Strong's: G4675
Word #: 8 of 11
of thee, thy
τὴν G3588
τὴν
Strong's: G3588
Word #: 9 of 11
the (sometimes to be supplied, at others omitted, in english idiom)
πρώτην first G4413
πρώτην first
Strong's: G4413
Word #: 10 of 11
foremost (in time, place, order or importance)
ἀφῆκας thou hast left G863
ἀφῆκας thou hast left
Strong's: G863
Word #: 11 of 11
to send forth, in various applications (as follow)

Analysis & Commentary

Nevertheless I have somewhat against thee, because thou hast left thy first love.... This verse from Revelation's vision of letters to ephesus, smyrna, pergamum, thyatira - love lost, faithful suffering, compromise employs apocalyptic imagery rich with Old Testament allusions and symbolic meaning. The Greek text uses vivid apocalyptic language characteristic of Jewish prophetic literature, drawing heavily from Daniel, Ezekiel, Isaiah, and Zechariah.

The symbolism must be interpreted within its first-century context while recognizing timeless spiritual realities. The imagery would resonate powerfully with persecuted believers facing Roman imperial cult worship, providing hope that despite present suffering, Christ reigns sovereign and will consummate His kingdom. The apocalyptic genre uses symbolic numbers (seven, twelve, 144,000), colors, beasts, and cosmic imagery to convey theological truth rather than photographic descriptions.

Christologically, Revelation consistently exalts Jesus as the victorious Lamb, the faithful witness, the King of kings and Lord of lords. Every vision ultimately points to Christ's supremacy, His finished redemptive work, and His certain return to judge the living and dead and establish the new creation.

Historical Context

John received this revelation circa AD 95 during Domitian's persecution, exiled on Patmos for his testimony. The seven churches of Asia Minor faced increasing pressure to participate in emperor worship and pagan religious practices. Refusal meant economic hardship, social ostracism, and potential martyrdom. Understanding this context illuminates Revelation's encouragement to faithful endurance.

The apocalyptic genre was familiar to first-century Jewish and Christian readers. Rather than newspaper-style predictions, apocalyptic literature uses symbolic imagery to reveal spiritual realities behind earthly events, encourage the faithful, warn the unfaithful, and assert God's ultimate sovereignty over history. Parallels with Daniel, Ezekiel, and intertestamental apocalyptic writings would help original readers decode the symbols.

Rome's imperial cult demanded worship of Caesar as divine, placing Christians in impossible situations—compromise their faith or face persecution. Revelation identifies Rome as "Babylon" and assures believers that despite appearances, the Lamb conquered through His death and resurrection, and all earthly kingdoms will submit to His reign.

Questions for Reflection

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