Judges 18:17

Authorized King James Version

And the five men that went to spy out the land went up, and came in thither, and took the graven image, and the ephod, and the teraphim, and the molten image: and the priest stood in the entering of the gate with the six hundred men that were appointed with weapons of war.

Word-by-Word Analysis
#1
וַֽיַּעֲל֞וּ
went up
to ascend, intransitively (be high) or actively (mount); used in a great variety of senses, primary and secondary, literal and figurative
#2
חֲמֵ֣שֶׁת
And the five
five
#3
הָאִ֔ישׁ
men
a man as an individual or a male person; often used as an adjunct to a more definite term (and in such cases frequently not expressed in translation)
#4
הַהֹֽלְכִים֮
that went
to walk (in a great variety of applications, literally and figuratively)
#5
לְרַגֵּ֣ל
to spy out
to walk along; but only in specifically, applications, to reconnoiter, to be a tale-bearer (i.e., slander); to lead about
#6
אֶת
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
#7
הָאָרֶץ֒
the land
the earth (at large, or partitively a land)
#8
בָּ֣אוּ
and came in
to go or come (in a wide variety of applications)
#9
שָׁ֔מָּה
there (transferring to time) then; often thither, or thence
#10
לָֽקְח֗וּ
thither and took
to take (in the widest variety of applications)
#11
אֶת
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
#12
הַפֶּ֙סֶל֙
the graven image
an idol
#13
וְאֶת
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
#14
הָ֣אֵפ֔וֹד
and the ephod
a girdle; specifically the ephod or highpriest's shoulder-piece; also generally, an image
#15
וְאֶת
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
#16
הַתְּרָפִ֖ים
and the teraphim
teraphim (singular or plural) a family idol
#17
וְאֶת
properly, self (but generally used to point out more definitely the object of a verb or preposition, even or namely)
#18
הַמַּסֵּכָ֑ה
and the molten image
properly, a pouring over, i.e., fusion of metal (especially a cast image); by implication, a libation, i.e., league; concretely a coverlet (as if pour
#19
וְהַכֹּהֵ֗ן
and the priest
literally one officiating, a priest; also (by courtesy) an acting priest (although a layman)
#20
נִצָּב֙
stood
to station, in various applications (literally or figuratively)
#21
פֶּ֣תַח
in the entering
an opening (literally), i.e., door (gate) or entrance way
#22
הַשַּׁ֔עַר
of the gate
an opening, i.e., door or gate
#23
וְשֵׁשׁ
with the six
six (as an overplus beyond five or the fingers of the hand); as ordinal, sixth
#24
מֵא֣וֹת
hundred
a hundred; also as a multiplicative and a fraction
#25
הָאִ֔ישׁ
men
a man as an individual or a male person; often used as an adjunct to a more definite term (and in such cases frequently not expressed in translation)
#26
הֶֽחָג֖וּר
that were appointed
to gird on (as a belt, armor, etc.)
#27
כְּלֵ֥י
with weapons
something prepared, i.e., any apparatus (as an implement, utensil, dress, vessel or weapon)
#28
הַמִּלְחָמָֽה׃
of war
a battle (i.e., the engagement); generally, war (i.e., war-fare)

Analysis

The salvation theme here intersects with the metanarrative of redemption running from Genesis to Revelation. Biblical theology recognizes this as part of a unified storyline from the promise in Genesis 3:15 to its fulfillment in Christ. The phrase emphasizing divine revelation contributes to our systematic understanding of Christian doctrine and connects to the broader scriptural witness about God's saving work from the Exodus to the cross.

Historical Context

This passage must be understood within the political and social structures of the biblical period. The author writes to address believers seeking to understand God's will and purposes, making the emphasis on salvation particularly relevant. Historical documents from this period show cultural practices and social structures that would have been familiar to the original readers, illuminating the verse's original impact.

Questions for Reflection

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