Judges 17:3
And when he had restored the eleven hundred shekels of silver to his mother, his mother said, I had wholly dedicated the silver unto the LORD from my hand for my son, to make a graven image and a molten image: now therefore I will restore it unto thee.
Original Language Analysis
Cross References
Historical Context
The practice of making religious images was ubiquitous in the ancient Near East. Every surrounding culture used idols extensively in worship, believing they embodied or housed the deity's presence. God's prohibition of images was radically countercultural, distinguishing Israelite worship from all neighboring religions. Archaeological excavations have uncovered numerous bronze and clay figurines from the Judges period, including female fertility figures (likely Asherah) and bull images, confirming widespread Canaanite practice adoption.
The amount of silver (1,100 shekels) and the mother's claim to "dedicate" it reflect the votive offering system common in ancient religion. However, Israel's covenant relationship with Yahweh was fundamentally different. Obedience, not expensive offerings, was primary (1 Samuel 15:22). Micah's mother's "dedication" violates covenant requirements while mimicking covenant forms.
Questions for Reflection
- How do we attempt to "dedicate" resources to God while simultaneously violating His revealed will?
- What contemporary Christian practices reflect well-intentioned innovation that violates biblical worship patterns?
- How does theological confusion about God's character lead to mixing biblical language with unbiblical practice?
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Analysis & Commentary
And when he had restored the eleven hundred shekels of silver to his mother, his mother said, I had wholly dedicated the silver unto the LORD from my hand for my son, to make a graven image and a molten image. This verse presents stunning theological contradiction—"dedicating" silver to Yahweh for creating idols He explicitly forbids. The second commandment states: "Thou shalt not make unto thee any graven image" (Exodus 20:4). The mother's claim to "dedicate" (hiqadashti, הִקְדַּשְׁתִּי, from qadash, "to be holy") this silver to Yahweh while planning idol manufacture shows complete misunderstanding of God's holiness and hatred of idolatry.
The distinction between "graven image" (pesel, פֶּסֶל) and "molten image" (massekah, מַסֵּכָה) may indicate two objects or complementary aspects of one image. Both terms appear in idolatry prohibitions throughout Scripture (Deuteronomy 27:15). The mother's dedication "for my son" reveals mixed motives—maternal affection combined with false worship. From a Reformed perspective, this illustrates the profound human capacity for self-deception. Calvin taught that the human heart is an "idol factory," constantly creating false gods. This passage underscores the regulative principle of worship: we may only worship God in ways He has authorized in Scripture.