Ezra 2:41

Authorized King James Version

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The singers: the children of Asaph, an hundred twenty and eight.

Original Language Analysis

הַֽמְשֹׁרְרִ֑ים The singers H7891
הַֽמְשֹׁרְרִ֑ים The singers
Strong's: H7891
Word #: 1 of 6
to sing
בְּנֵ֣י the children H1121
בְּנֵ֣י the children
Strong's: H1121
Word #: 2 of 6
a son (as a builder of the family name), in the widest sense (of literal and figurative relationship, including grandson, subject, nation, quality or
אָסָ֔ף of Asaph H623
אָסָ֔ף of Asaph
Strong's: H623
Word #: 3 of 6
asaph, the name of three israelites, and of the family of the first
מֵאָ֖ה an hundred H3967
מֵאָ֖ה an hundred
Strong's: H3967
Word #: 4 of 6
a hundred; also as a multiplicative and a fraction
עֶשְׂרִ֥ים twenty H6242
עֶשְׂרִ֥ים twenty
Strong's: H6242
Word #: 5 of 6
twenty; also (ordinal) twentieth
וּשְׁמֹנָֽה׃ and eight H8083
וּשְׁמֹנָֽה׃ and eight
Strong's: H8083
Word #: 6 of 6
a cardinal number, eight (as if a surplus above the 'perfect' seven); also (as ordinal) eighth

Analysis & Commentary

The singers: the children of Asaph, an hundred twenty and eight (הַמְשֹׁרְרִים בְּנֵי אָסָף)—The term meshorerim (singers) designates temple musicians, with Asaph (אָסָף, 'collector/gatherer') being David's chief musician who authored 12 psalms (Psalms 50, 73-83). That 128 singers returned—nearly double the 74 Levites—demonstrates worship's priority in restoration. Music wasn't auxiliary but essential to rebuilding spiritual infrastructure.

Asaph's Psalms often deal with national crisis, theodicy, and covenant faithfulness—perfectly suited for the return generation's struggles. These 128 singers carried not just musical skill but theological memory, teaching theology through song. Their prominence in the list (mentioned before gatekeepers) reflects worship's primacy. Jesus later quoted Asaph's Psalm 78:2 (Matthew 13:35), connecting Israel's past deliverance to Messiah's teaching—these singers preserved the very traditions through which God would reveal His Son.

Historical Context

David established Asaph and his descendants as perpetual temple musicians (1 Chronicles 25:1-2), with Asaph serving as chief cymbal-player and seer (2 Chronicles 29:30). The family maintained their calling through exile, remarkably preserving musical and poetic traditions without a functioning temple. Their return ratio (128 singers vs. 74 Levites) suggests music's importance to exilic worship in Babylonian synagogues.

Questions for Reflection